Find the sustained action sequence: it breaks both profiles
The open risk since session 2 was "a sustained action sequence could still break the bitrate", with every clip measured so far being 1.2-1.7 s. Closed by measurement rather than by sampling clips by hand. 07_motion_survey.py scans a whole stream at 96x72 for the hottest sliding window of inter-frame difference. On 00223 the spread between the quietest and hottest sustained 10 s windows is 10.6x, which is the argument for not eyeballing it. Hottest is t=539.4s, the Singe endgame. There, with the fixed lam the CLI uses, sasi overshoots 110 -> 129.6 KB/s (+18%) and scsi 280 -> 373.8 KB/s (+34%). Rate control moves from "insurance, not a fix" to required, and is promoted above the full-disc survey. The bus is not broken -- 381.6 KB/s still fits the 488 KB/s figure -- so FINDINGS 21 survives, at 78% of the pipe instead of a comfortable margin. Three further corrections fall out: - The two largest streams on the disc are bonus material. 00216 is the feature with a burned-in commentary PiP; 00215 is the commentary. 00223 is the clean 9.4 min. A size-ranked survey would have encoded live action. - On hard content the 256-colour scene palette (31.33 dB) binds well before the X68000 display (40.81 dB); scsi is already within 0.51 dB of it. - FINDINGS 24.5's architecture question resolves to "both paths, chosen per frame": 30-53% of frames sit above the 70% crossover. Picking per frame costs a median 37.0% of the frame budget and caps at 53.6%. Reporting for this is wired into encode.py, which previously only printed a mean over all frames -- the one statistic that cannot answer a per-frame question. extract.py takes optional start/dur; 08_mode_map.py renders source | decoded | block-mode map to .webm. Claude-Session: https://claude.ai/code/session_01194oWYW8DQXK1SZ2DnChW6
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@@ -890,3 +890,116 @@ V1's output was snapshotted and passes `verify_frame256.py` unchanged: `256x512
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native, double-scan exact, active 256x192 pixel-exact, letterbox true black`,
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40.81 dB. So 68000 code drives the mode of FINDINGS 23 correctly, and 23.5 is
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now closed.
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---
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## 25. The sustained action sequence, found and measured (session 5)
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STATUS has carried "a *sustained* action sequence is the one thing that could
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still break the bitrate" as the open risk since session 2. Every clip measured
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before this was 1.2-1.7 s. This section closes it: **it does break the profiles,
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though not the bus.**
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### 25.1 The two largest streams on the disc are not game footage
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A survey that sorts 224 streams by size and encodes the biggest would have
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measured **live action**:
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| stream | size | what it actually is |
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|---|---:|---|
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| 00216 | 3777 MB | the feature with a **burned-in picture-in-picture commentary** |
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| 00215 | 3475 MB | the commentary itself, full-screen live action |
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| **00223** | **1802 MB** | **clean animation, 9.4 min — the one to use** |
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The PiP in 00216 is burned into video stream 0, not a selectable secondary
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stream, so there is no ffmpeg flag that recovers a clean frame from it. This
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extends FINDINGS 13's menu-vs-content warning: the classification needed is
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**content / menu / bonus**, and bonus material is the one that looks most like
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content by every cheap metric (size, duration, bitrate).
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### 25.2 Picking the worst window by measurement, not by eye
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`tools/analysis/07_motion_survey.py` scans a whole stream at 96x72 and reports
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the highest-mean sliding window of inter-frame absolute difference. On 00223:
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```
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6793 frames @12fps = 566.1s
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motion energy mean 9.40 median 5.60 p90 21.70 max 112.39
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hottest sustained 10s window: t = 539.4s (2.01x stream mean)
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quietest 10s window: t = 144.2s (0.19x stream mean)
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```
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The 10.6x spread between the quietest and hottest sustained windows is the whole
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argument for not sampling clips by hand. `t = 539.4s` is the Singe endgame.
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### 25.3 Both profiles overshoot on that window — rate control is now required
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Encoding those 120 frames at the shipping profiles, with the fixed `lam` the CLI
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currently uses:
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| profile | target | measured | overshoot | PSNR | palette ceiling |
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|---|---:|---:|---:|---:|---:|
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| `sasi` | 110 KB/s | **129.6 KB/s** | **+18%** | 27.82 dB | 31.33 dB |
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| `scsi` | 280 KB/s | **373.8 KB/s** | **+34%** | 30.81 dB | 31.33 dB |
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| *(00020 baseline, `sasi`)* | 110 KB/s | 108.0 KB/s | -2% | 36.94 dB | 39.90 dB |
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**This reclassifies rate control from insurance to a requirement.** STATUS has
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had "wire rate control into `encode.py`" at priority 3-4 since session 2 with the
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note "no longer a blocker (FINDINGS 21)". That was true of the clips measured
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then. It is not true of this one. `ratectl.encode_rate_controlled()` already
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exists and builds a per-frame lam ladder; it has simply never been hooked up.
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Note what did **not** break: 373.8 + 7.8 = 381.6 KB/s is still under the 488 KB/s
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working figure, so FINDINGS 21's ring-buffer conclusion survives — but at 78% of
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the pipe sustained over ten seconds rather than the comfortable margin implied by
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1.7 s clips.
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### 25.4 The palette ceiling is content-dependent, and on hard content it binds
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The 256-colour scene palette costs **31.33 dB** on this window against **39.90 dB**
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on 00020 — 8.6 dB worse. Fire, lava and smoke gradients are exactly what a
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256-entry mediancut palette handles worst.
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This inverts an assumption the project has been carrying. FINDINGS 23.3 put the
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X68000 display ceiling at 40.81 dB and treated it as comfortably clear of the
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codec's own error. On this content the **scene palette (31.33 dB), not the
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display hardware (40.81 dB), is the binding constraint** — and `scsi` is already
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within 0.51 dB of it. Spending bits to close that last half-dB is spending them
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against a ceiling that is not the display's.
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### 25.5 `scsi` collapses to RAW under stress
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Mode distribution on this window is qualitatively different from anything
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measured before:
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| profile | SKIP | V1 | V4 | RAW |
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|---|---:|---:|---:|---:|
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| `sasi` (lam=60) | 45.6% | 16.3% | 24.2% | 13.9% |
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| `scsi` (lam=10) | 26.2% | 5.5% | 7.1% | **61.2%** |
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| *00020, `sasi`* | 46.9% | 24.1% | 17.8% | 11.2% |
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At `lam=10` the rate-distortion decision finds literal pixels cheaper than any
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codeword for 61% of blocks — the codebooks are simply not describing this
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content. That is the mechanism behind the +34% overshoot in 25.3, and it is a
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rate-control problem, not a codec-structure problem: the RD decision is behaving
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correctly for the lam it was given.
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### 25.6 The decoder needs BOTH display paths, chosen per frame
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Applying FINDINGS 24.5's crossover to the real per-frame distribution:
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| | median non-SKIP | p90 | frames over the 70% crossover |
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|---|---:|---:|---:|
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| `sasi`, Singe window | 48.4% | 82.8% | 36 / 120 (30%) |
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| `scsi`, Singe window | 70.8% | 92.4% | 64 / 120 (53%) |
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| `sasi`, 00020 | 54.0% | 88.8% | 3 / 14 (21%) |
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Neither path wins outright: **30-53% of frames want the flat blit and the rest
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want direct-to-GVRAM.** A player that implements both and picks per frame — the
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mode headers are parsed before any pixel is written, so the count is free — pays
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a median of **37.0%** of the frame budget and is capped at **53.6%**. A player
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that implements only direct-to-GVRAM pays up to 76.6% and would miss frames on
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the scene cuts.
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So the answer to 24.5 is "both", and the selection is a one-line comparison
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against a block count the decoder already has in hand.
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### 25.7 What this does not measure
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One 10 s window of one stream, at fixed lam, with `_paint` still a Python loop.
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The full-disc survey is still not done, and the numbers above are the *worst*
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window rather than a distribution over content. What has changed is that the
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worst case is now a measurement rather than a worry.
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+67
-11
@@ -96,7 +96,29 @@ rate-distortion curve, not two codecs.
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3. **Reading the source frame is exactly half the blit cost** (V1 53.6% vs a
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write-only floor V3 of 27.1%). That is what makes the architecture question
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below live.
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4. **The decoder architecture now hinges on one unmeasured number.** Writing
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4. **That number is now measured, and the answer is "implement both paths".**
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On the worst sustained window found on the disc, 30% of frames (`sasi`) to
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53% (`scsi`) sit above the 70% crossover and want the flat blit; the rest
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want direct-to-GVRAM. A player that picks per frame — the mode headers are
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parsed before any pixel is written, so the count is free — pays a **median
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37.0%** and is **capped at 53.6%**. FINDINGS 25.6.
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5. **The sustained action sequence exists, was found by measurement, and breaks
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both profiles.** `tools/analysis/07_motion_survey.py` scans a whole stream
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for the hottest sliding window; on 00223 it is t=539.4s, the Singe endgame,
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at 2.01x the stream mean. There, fixed-lam `sasi` overshoots 110 -> 129.6
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KB/s (+18%) and `scsi` 280 -> 373.8 KB/s (+34%). **Rate control is no longer
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insurance — it is required.** FINDINGS 25.3.
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6. **The two largest streams on the disc are bonus material, not game footage.**
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00216 is the feature with a burned-in commentary PiP; 00215 is the commentary
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itself. **00223 (9.4 min) is the clean one.** A size-ranked survey would have
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encoded live action. FINDINGS 25.1.
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7. **On hard content the scene palette, not the display, is the binding
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ceiling** — 31.33 dB on the Singe window against 39.90 dB on 00020 and 40.81
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dB for the X68000 display. `scsi` is already within 0.51 dB of it.
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FINDINGS 25.4.
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### Superseded within session 5
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4a. **The decoder architecture hinged on one unmeasured number.** Writing
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codewords straight into GVRAM costs 76.6% of the frame budget for a *full*
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frame (V4 — the 1024-byte stride kills the `movem.l` burst), but scales with
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the non-SKIP block fraction and needs **no RAM reference frame at all**,
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@@ -284,7 +306,11 @@ SDL_VIDEODRIVER=dummy mame x68000 -bios ipl10 -video soft -window \
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## Next steps, in priority order
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1. **Measure the non-SKIP block fraction.** *(new top priority, session 5)*
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1. ~~**Measure the non-SKIP block fraction.**~~ **DONE, session 5** — FINDINGS
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25.6. Answer: implement **both** display paths and pick per frame; median
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37.0% of the frame budget, capped at 53.6%. Reporting is wired into
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`encode.py`. Original framing kept below because the reasoning still governs
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the decoder's inner loop:
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FINDINGS 24.5: compose-in-RAM-then-blit costs a flat 53.6% of the frame
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budget; decode-direct-to-GVRAM costs 76.6% x (fraction of blocks that are not
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SKIP) and needs no RAM reference frame. **They cross at 70%.** Which side of
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@@ -297,6 +323,15 @@ SDL_VIDEODRIVER=dummy mame x68000 -bios ipl10 -video soft -window \
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scene-cut frame is ~100% non-SKIP and a held frame near 0%, and the mean of
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those two is a number describing no actual frame.
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1b. **Wire rate control into `encode.py`. NOW REQUIRED (was priority 4).**
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FINDINGS 25.3: on the worst sustained window both profiles overshoot their
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targets with the fixed `lam` the CLI uses — `sasi` by 18%, `scsi` by 34%.
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The note that used to sit here, "no longer a blocker (FINDINGS 21)", was true
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of the 1.2-1.7 s clips measured at the time and is not true of this one.
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`ratectl.encode_rate_controlled()` already builds a per-frame lam ladder; it
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has never been hooked up. Do this before the full-disc survey or the survey
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measures an encoder nobody will ship.
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2. **68000 decoder skeleton**, with the inner loop chosen by (1). Parse `DLX1`,
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expand codebooks, blit per block mode. The display path is verified *by 68000
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code* now (FINDINGS 24) and the harness pattern is `tools/bench/blit.s` +
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@@ -312,16 +347,18 @@ SDL_VIDEODRIVER=dummy mame x68000 -bios ipl10 -video soft -window \
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rejection, which was argued as "54% LZ4 with no room beside a 38% blit". The
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conclusion gets *stronger*, not weaker, but the arithmetic should be restated.
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3. **Full-disc survey.** Only 4 clips of 1.2-1.7 s out of 224 streams have been
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measured, and 00146 already runs 23% hotter than 00020. A *sustained* action
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sequence is the one thing that could still break the bitrate. Classify menu
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vs content first (FINDINGS 13) or the averages are diluted by static menus.
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**Vectorise `_paint` before this run** — it is a Python per-block loop.
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Pairs naturally with (1): the same run produces both numbers.
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3. **Full-disc survey.** Now scoped by session 5 rather than open-ended: the
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worst *sustained* window is measured (FINDINGS 25), so what remains is the
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distribution over content, not the worst case.
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- Classify **content / menu / bonus** — not just menu vs content. FINDINGS
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25.1: the two largest streams are bonus material and look like content by
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size, duration and bitrate alike.
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- Run `tools/analysis/07_motion_survey.py` per stream first; it is cheap
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(96x72 greyscale) and gives a hot-window shortlist so the expensive encode
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only runs where it matters.
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- **Vectorise `_paint` before this run** — it is a Python per-block loop.
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- Do it **after** rate control (1b), or it measures an encoder nobody ships.
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4. **Wire rate control into `encode.py`.** No longer a blocker (FINDINGS 21), but
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it is what gives a deterministic ceiling over content not yet measured, which
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was the original reason for choosing VQ. Insurance, not a fix. Pairs with (1).
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5. **Confirm DMA vs PIO in MAME** (see the benchmark section above) — cheap, and
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the only thing that could still move CPU into the binding position.
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6. **Resolve the framing question** (FINDINGS 12: crop vs squash vs wide).
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@@ -425,3 +462,22 @@ V1's output. To check that snapshot is still pixel-exact:
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Not added to `check.sh`: `check.sh` asserts pixel-exactness, and asserting wall
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timings there would make the green-light check sensitive to host load.
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## Reproducing the sustained-action result (session 5)
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```
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python3 tools/analysis/07_motion_survey.py 00223 10 # -> hottest window t=539.4s
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python3 tools/encoder/extract.py 00223 tmp/fr_singe 12 crop 539.4 10.0
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python3 tools/encoder/encode.py tmp/fr_singe tmp/singe_sasi.dlx --profile sasi
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python3 tools/encoder/encode.py tmp/fr_singe tmp/singe_scsi.dlx --profile scsi
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python3 tools/analysis/08_mode_map.py tmp/fr_singe tmp/singe_modes.webm \
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--profile sasi --scale 2
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```
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`extract.py` now takes optional `[start_s] [dur_s]` — needed because 00223 is
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9.4 min and the windows that stress the codec are seconds long.
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`08_mode_map.py` renders palettised source | decoded | block-mode map at 12fps.
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Output format follows the extension; **prefer `.webm`** — GIF re-quantises to
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256 colours, which is a poor fit for output whose subject is colour fidelity,
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and runs larger. It uses `yuv444p` because the mode map is flat saturated colour
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on a 4-pixel grid and chroma subsampling smears exactly those edges.
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